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He met Louisa James (a grandniece of writer Henry James) on one of these steamer journeys and the two were married in January 1931.He also became friendly with many prominent artists and intellectuals of the early twentieth century at this time, including Joan Miró, Fernand Léger, James Johnson Sweeney, and Marcel Duchamp.

Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood.Every piece was small enough to be packed into a large trunk, enabling the artist to carry it with him and hold performances anywhere.Its first performance was held in Paris for an audience of friends and peers, and soon Calder was presenting the circus in both Paris and New York to much success.The duck is kinetic—it rocks back and forth when tapped.Even at age eleven, his facility in handling materials was apparent.

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In the fall of 1931, a significant turning point in Calder's artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art.

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