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A series of media reports said the Finnish government had decided not to expand its trial – a version of events which has been repudiated by officials.
Miska Simanainen, a social affairs official, said the trial, where about 2,000 unemployed people aged 25-58 are being paid a tax-free €560 (£490) monthly income with no questions asked, was "proceeding as planned." The €20m programme, which seeks to reform Finland's social security system, ends in December, at which point Prime Minister Juha Sipila's centre-right government will assess initial results.
If reader reaction warrants it, we may continue the serial in upcoming issues.
Then, a special short FF bonus feature, a vampire tale titled “Stake Out”, originally seen in a long out-of-print AC Deep Dimesion horror book.
Art by Lou Fine, Reed Crandall, Jack Cole, Sheldon Moldoff, Dan Zolnerowich, John Spranger and others on 18 previously-unreprinted stories from comics’ Golden Age.
The most good old-time scares to be found in a single comic book ANYWHERE in 2018!!
Standard comic book size, full-color covers, saddle-stitched binding; .95 from AC Comics. Title: Crypt or Horror Frequency: Quarterly Issue/Number: Volume 37 UPC Code: 64924192598903711 Retail Price: .95 Discount: Maximum Discount 50% Format: Standard comic book size, saddle-stitched Dimensions: 10.25″ X 6.50″ Page Count: 140 pages Color: Black and White (with color covers) Intended Audience: All ages Genre: horror/fantasy Country of Origin: USA Ship Date: September 27, 2018 Writers: Jack Oleck, Carl Memling, Hank Chapman, Robert Bernstein, Ruth Roche, Richard Hughes, Joe Gill, and other uncredited.
We’ve also thrown in a few “star players”in this collection as well, including George Tuska on “Throw Another Coal On The Fire”, Mike Sekowsky on “Blood On The Speedway”, Steve Ditko on “I Found The Mad Universe”, Frank Bolle on “When Mankind Vanished” and Bob Powell on “The Choirmaster” AND “End Of The Line”.
140 pages of classic vintage comic book horror, reproduced in black and white using state-of-the-art digital technology.
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Written by Bill Black, with pencils by Bill and Chris(Ant-Man) Allen and inks by Mark Heike.