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In the 2010s, Yanni’s international tours included performances in over thirty countries on five continents, including (alphabetically) Argentina, Armenia, Bahrain, Belarus, Brazil, Bulgaria, Canada, Chile, China, Costa Rica, Czech Republic, Egypt, Germany, Hungary, India, Israel, Jordan, Kuwait, Lebanon, Mexico, Oman, Panama, Poland, Qatar, Romania, Russia, Saudi Arabia, In this vein, Booth Newspapers' Jeffrey Kaczmarczyk perceived the eclectic inspirations of Yanni's music to be an element of his success: Yanni's "Middle Eastern and Oriental scales and mixed meters sound just exotic enough to entice his middle-of-the-road fans, but not so authentic as to mystify folks who grew up with a backbeat, so you can’t lose it," adding that certain songs "leave you with a sense that you’ve just heard a bit of a steel drum or a Greek bouzouki or a Japanese koto or possibly all three." Yanni explained that the 1970s, with its new technology and electronic instruments, were particularly influential at that stage in his career, and that even recently his Truth of Touch album (2011) was started by experimenting with new sound designs.
Yanni explained that "the most influence I’ve ever had from music was doing (soundtracks for) movies, ...
It is essentially tonal, tinged with mild whiffs of dissonance here and there, sometimes rhythmically frisky, graspable on first listening, and self-evidently mood-inducing.
There are two basic moods to Yanni music: struttingly heroic with martial overtones, and dreamily contemplative. A kind of peaceful, easy-feeling link between pop music and classical music." More recently, Allmusic's Mark Deming characterized Yanni's compositions and performances as having "a pronounced sense of drama, dynamics, and romanticism," writing that Yanni has a "commanding performance style." In 2012 Howie Grapek remarked in The Palm Beach Post's PBPulse that "there are few modern-day composers with a unique sense of music and style which is truly their own.
I don't want to relax the audience; I want to engage them in the music, get them interested." Distinguishing his work from what others have called ambient mood music, Yanni pointed out in 1994: "New age implies a more subdued, more relaxed music than what I do.
My music can be very rhythmic, very energetic, even very ethnic." In 2012, Yanni remarked that he has never liked putting art into categories or assigning labels, adding that he always composed music "to honestly reflect the lessons learned and the experiences I have shared throughout my life." For example, Yanni's university study of psychology influenced his music: “When I create music, it is a reflection of my soul, my experiences in life and my relationships with other people and cultures.
Before his 2015 concerts at the Egyptian Pyramids Yanni said that emotions are the same throughout the world, and that his predominantly instrumental music can communicate those emotions with people everywhere because it bypasses language.
Moser interviewed the composer, asking if he intentionally tries to create "something that’s going to last forever as opposed to something that’s just going to sell 1 million copies right away," Yanni replied that "There’s no way you can create art to last forever...
And if any one of us is capable of such a thought, then all of us have the same capacity and capability, because we're all the same.
To compare new-age music with classic rock is a stretch, but for Yanni, it is possible.
This Greek composer marries contemporary new-age spirituality with today’s pop attitudes and delivers a unique sound." Yanni has employed musicians of various nationalities, and has incorporated a variety of exotic instruments from around the world from an Australian didgeridoo to a Peruvian charango, to perform with his classical orchestra, rock rhythm section, and electronic keyboards.
In March 2014, Yanni released his seventeenth studio album, Inspirato, a collaboration with operatic tenor Plácido Domingo and producer Ric Wake that, like Yanni Voices five years earlier, highlighted vocal performances.
In January 2016, Yanni released his eighteenth studio album, Sensuous Chill, which, being built around synthesizers, programmed rhythms and electronic sounds, was said to "come full circle" to his early-1980s albums.